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You can get a pack of ten 80-minute minidiscs (don't buy the Sony brand though, I've had a few crap out on me), a stereo mic, the main unit and a carrying case for about that much. If you have a $300 budget, this route is *not* bad. You don't have good volume control though. You might want to rent equipment you don't have (mic stand, compressor, mics).Īctually you could also use a mini-disc recorder with the Sony MS907/908 stereo mic (it uses M/S capsules to get its stereoness). This way the musicians don't block noise from instruments behind them and if there's an audience you don't pick em up as much. For symphonies/bands, you generally want to be above the conductor's head. Generally a good place to put them is as close as possible to the sound source. The 2 main factors is position and their angle.
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#ANTARES MIC MODELER VS T RACKS MIC ROOM TRIAL#
Mic placement: The way to find the best position is trial and error. I would not use shotguns- room reflections and off-axis response make the band sound grotesquely out of tune. Octava MC-012s, <$200) if the room acoustics suck or if there's an audience. For the mics you probably want hypercardioid mics (e.g. The best setup is probably using the ORTF stereo technique or just using one well placed mic (see for info on stereo techniques). I have done this kind of thing in the past, but not that well. Using more mics would help if you want more control over certain sections of the band and/or soloists. More mics is not necessarily better!!! If you use more than 1/2 then you have to avoid phase shift problems.